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FREQUENTLY ASKED QUESTIONS
How long does it take to do a Legendary Florida Painting?
Because of the historical research involved in each subject, and the amount of detail in the portrayals, an
estimated time to complete a work is about 4 to 6 months. At times, the difficulty in finding correct
information may affect the time. Although the size does play a part, it’s more the complexity of what is in
the picture that mostly determines the time.
Does the artist use models?
Generally, models are used. The complexity of costume and the amount of space required is not available. At
times a Polaroid snapshot is used for reference; as in a hand holding an object or for a difficult motion or
posture in a subject. In most cases, the figures begin as little more than stick figures. The mass of the
figure is then worked over this and the clothing is then rendered over the form. On rare occasions, an
historical reenactor is available to pose in full costume.
Are there portrayals of real people in the paintings?
Great pains are taken to capture likenesses in known historical figures like Zachary Taylor, Teddy Roosevelt,
Ma Barker, etc. As in the case of Davis Moniac (Tribal Duel) there is no image to be found and the rendering
is conjecture based on general knowledge. The face of William Bartram (The Flower Hunter) was created from an
image of him as an elderly man; it was used as a sort of “template” on which the younger face was created.
On some occasions, recognizable individuals are included as a personal complimentary gesture. The artist is
portrayed in two of the paintings.
Why are most of the paintings so large?
The size is determined by the subject and the belief that the epic nature of the historical event requires a
large scale presentation. A large surface also allows for the rendering of great detail which increases the
narrative value of the story being told.
Why are the paintings done on a hard surface rather than canvas?
The hard, sommth surface (masonite) enables the application of minutely small amounts of paint that enable the
execution of fine detail. Ordinarily, the weave of most canvas surfaces make this practice difficult to control.
The available size of these panels (4’ x 8’) allows for the desired large sizes for the paintings. The surface
is repeatedly sanded and primed with gesso, providing and egg-shell surface that is most suitable for these
paintings.
Why are the paintings done in oils?
For traditional painting, there is no substitute for the feel and handling of finely made oil paints. There is
a fluidity and ease in the mixing and application of this medium that is unmatched. Although intimidating at
first, with some practice one would discover the very forgiving nature of this medium. A visit to any gallery or
museum would attest to the longevity, integrity and value of a well cared for oil painting.
How does the artist get his ideas for the paintings?
Mostly they begin with a story of some person or incident in Florida history. The subject is then researched as
to its truth. Once this is established, all known facts and historical records of the subject are then sought
out and the accuracy of all the information is evaluated. If it is determined that the subject will allow for a
dramatic portrayal, the elements are then arranged as to the best composition and presentation of the story is
determined. The artist usually has a mental image of the end product from a very early stage in this process.
Why are there snakes in the paintings?
Two reasons: first, the snake is a subtle symbolic reminder of the fact that Florida is, and always has been, a
dangerous place. The second and more practical reason being that if a viewer begins to seek out the whereabouts
of the snake depicted in the picture, they will discover many other objects and surprises within the painting.
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